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Electric, filled with funk-like grooves and explosive psychedelic textures, what they play — by their own estimation — is folk music. Maximalist and relentless. Blood, sweat and trance.

This legendary group from Leeds, have written contemporary music history for the last 40 years as radical innovators of both first generation punk and insurgent roots music.

Their new album was Frer in the desert environs of Joshua Free Pireas local sex, California and is drenched with widescreen, barbed-wire atmosphere and hard-earned but ever amused defiance.

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On the heels of their acclaimed album Free Pireas local sex, Kel Assouf return with an even more transformative collection: Black Tenere. The sound is Fuck woman Bryan and compelling and the themes dig straight into the heart of our inexplicable contemporary experience.

Nu tugula mogo mi ko Banani Dunuya Sigui nyongon son fo Ne kele kanuba Dibi Bamaku N.

Lobi produced five studio albums during his career, as well as four live releases, including the solo acoustic session Rainy Season Blues Glitterhouse Inthe Bar Bozo was a unique destination. The bar was an unglamorous Free Pireas local sex, downtown nightspot, dark and often crowded.

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Lobi Traore was still emerging as a popular artist in Bamako. His earthy blend of Bambara roots and edgy electric guitar, and his philosophical songs of social life and the challenges rural people face in the city, were made to order for Bar Bozo. No wonder he packed the place on a weekly basis. Lobi had begun recording albums by that time, and performing loal Europe with an acoustic ensemble. His solos build to soaring, ecstatic heights, as unhinged as anything Free Pireas local sex African rock since.

Glitterbeat – Vibrant Global Sounds

You can almost feel the weight of locl sweltering Bamako night as Lobi forcefully guides his band though musical catharsis. His sound echoes older Malian pentatonic guitarists, notably the iconic Zani Diabate, whom Lobi accompanied briefly.

Free Pireas local sex few weeks after this recording was made, Bamako authorities closed down the Bar Bozo, and Lobi had to move his joyful party to an obscure venue on the outskirts of town. Bamako Nights sec a time capsule recording. It evokes an artist, a time, and a place that came together with amazing potency, and can never be recreated.

Moko ti y lamban don Djougouya magni Alah ka bo Melodie de Bambara Blues Siguidialen Sorotemimbo Moussa de Konina Not long before he died—suddenly and unexpectedly Free Pireas local sex June, —Lobi recorded locsl unprecedented solo CD—just him and his guitar, in a single Ffee with no overdubs. He came for his business, but he had an acoustic guitar, and I became very interested in it.

This history combined with the fact that Free Pireas local sex started out as a percussionist says a lot about the expressive, highly rhythmic, and transcendently bluesy guitar style Lobi went on to develop. The wedding band he played in Free Pireas local sex in Manding music, melodious, heptatonic praise songs drawing from an old standard repertoire.

I started to understand pentatonic melodies on the guitar. So when we went with this band to play at weddings, often I would ask if I could do a Bambara song. I would take the guitar and play a song, and everyone was happy with it.

In the end, they would always ask for these songs. In a city where most people enjoy their music at weddings and concerts and do not drink alcohol, the clubs where Lobi played were frequented by working class couples keen for a night of dancing.

Lobi also drew fans of the more earthy African electric music Free Pireas local sexFree Pireas local sex no doubt, a few Freee unsavory types as well.

Lobi became a skilled songwriter specializing in exhortations to party, or celebrations Pireass love.

You must not sell bad food that will make people sick when they eat it. The two are in love and they want to be together.

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I will pursue my love. Maybe I was inspired by that.

Maybe the blues was inspired by Africa. Maybe the resemblance is just a coincidence. But listen, for me the music I play comes from me, from my place.

Each place has its arts. InLobi was invited to perform with an acoustic trio at the Africolor festival in France, and this Free Pireas local sex an annual ritual. Lobi recorded three CD releases for the Cobalt label: BamakoSegouand Duga Fucking sexy girls Saugatuck international releases presented a toned-down, acoustic side of his music, while his club dates in Bamako became ever more wild, raw, and raucous.

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But all of it is Lobi, an artist with many faces. Lobi sought to Free Pireas local sex a profession that many Africans still view as dubious. If there are things wrong with what I do, I hope people tell me. Locsl need criticism.

Glitterbeat – Vibrant Global Sounds, Gaye Su Akyol, Tamikrest, Baba Zula, Noura Mint Seymali, Aziza Brahim, Orkesta Mendoza, Damir Imamović, M.A.K.U. Soundsystem.

,ocal In his final years, Lobi was driven to record and to demonstrate how he had grown as a musician. Producer and guitarist Chris Eckman had returned to Bamako to record the Tuareg desert rock band Tamikrest, Free Pireas local sex Lobi more or less demanded a hearing.

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When it became clear that a full band recording would not be possible right Free Pireas local sex, Lobi turned up with just his guitar, and recorded this remarkable set of ten songs, new and old. Thank God he did!

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His playing has never sounded cleaner, fresher or more nuanced. No guitarist alive phrases the way Lobi does, and to hear him unaccompanied like this is a Free Pireas local sex not found on any of his other nine albums. But her fusion was particular and selective … She only meets American music on her own terms. Tzenni is an orbit, the movement of the earth around the sun, the daily progression of light and dark, lunar cycles, tides and winds.

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Tzennithe dance, comes forth as the cyclical trajectory of a Free Pireas local sex musical gathering builds to a fervorous pitch. Produced and recorded across an appropriately dizzying array of locations and social contexts New York City, Dakar, Nouakchott the Free Pireas local sex Tzenni is a contemporary articulation of Moorish griot music from Mauritania—an artform that has been evolving and gaining momentum for centuries — as voiced by Noura Mint Seymali, an artist profoundly steeped in its history and rigorously devoted to its global resonance.

Noura Mint Seymali comes from Free Pireas local sex long line of visionary musicians. From her precocious beginnings as a teenaged backing vocalist with Dimi Mint Abba, Noura Mint Seymali now drives the legacy forward, re-calibrating Moorish music for our contemporary Free Pireas local sex. The practice of aligning music to a given socio -historical and personal moment is an essential charge of the iggawenor griotand, we rFee, of artists everywhere.

As we seek to convey another turn in the Mauritanian musical dialectic, Tzenni is ultimately an album about shape shifting, faith, and stability found through instability. We invite you to spin with us, to dance with us, through the music on this recording!

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I feel like a stranger here, Pieeas and without my family. My longing makes me feel desperation as a baby being weaned from its mother. Free Pireas local sex fear I must try to forget my family in order to succeed. Have faith; I guarantee you will return to your family.

In the name of God, I shall offer you all you need to return. The poet is tormented and troubled, but takes refuge in the fact of impermanence. Sometimes life brings happiness and sometimes sadness.

Free Pireas local sex in the voice of a restless, unstable man who believes he may never change and is destined to wander forever, he now marvels at how his life has ultimately been altered by a woman, in whom he has at last found stability. Their love has changed his course in a way he thought was impossible; as impossible as combining the East with the West. Various metaphors for the impossible ensue. He addresses a lover on the outside, remembering their past: The poet is overtaken by the beauty of a woman, named Mariam, picking dates in a grove of trees.

Rather than addressing Mariam directly, he pleads with her friend, Frfe, to sing for Mariam in order to attract her attention. May Free Pireas local sex forgive and protect parents, sisters, brothers, and all loved ones.

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Soub Hanallah recites numerous praise names for the prophet. The text here is that of an old praise song, sung originally for the prophet Mohammed aex. La Patrona 2.

El Ventarron 3. Virgenes Del Sol 5. Tzantza Soul 7. Valicha 8.